New Self portrait

I've started a painting of Anita and Rainy but have only managed the charcoal drawing stage. Tomorrow I'll start underpainting it. In the meantime, I've also started another self portrait. Here it is in the early stages. I'm adopting the Claude method of underpainting in pinky brown as the final drawing, before starting the painting proper.

A pastel drawing of Anita on coloured paper. Still in progress.

I've done some more work on the shirt, jaw, face and now I will probably leave it more or less as it is. Time to start something else.

I have painted over the sky and clouds background and returned it to the pale blue but with a bit more yellow in it to bring it closer to the yellow in the figure. I have worked into the face some more this time adding a pinker range of skin tones so reducing the yellow.
I have done the same with the hand.

Sky Background

I've put a sky into the background but I'm not liking it. I am going to try to improve the cloud forms and also change the overall colour of the figure or background or both, but I'm thinking I may change it back to a more simple one.

I've done another session on the oil. I've worked in some background and worked up the figure. I had a blue undercoat on the board before painting and after I'd painted the figure I like the undercoat colour, so I've kept a similar colour for the background when I painted it, like a new Zealand sky. I may put in some variation in there. I'm not sure what to do with the lower background apart from making it darker. I'd like to take it out of the studio to an exterior with a sky.
Also, I need to do some rearranging of the jaw. It needs to project more to the left.

Work in Progress

I've started an oil on hardboard here. I have mixed a bit too much linseed oil into the dark paint for the shirt and as can be seen it has run down the board.

New Weblog for drawings and paintings

I am starting a new site/weblog more for the wider world to look at drawings and paintings.
It will be at: www.gallerynewzealand.blogspot.com

Please have a look and let me know what you think.

I have pretty much finished work on the Anita portrait now, as I want to start something new. One thing I have found with pastels is that mixing is limited; you can mix on the paper by smudging which is a bit haphazard. So for this reason very large ranges of colours are produced to allow you to choose the colour you want. I have a range of 24 and I have found that to be far too small, especially in the dark colours. I found myself using black quite a lot in Anita's portrait because there just wasn't another colour dark enough. I have a dark blue which is the next darkest and up from that is a dark brown which is quite a bit lighter.

The other problem is that working on a small scale is tricky because of the bulky-ness of the pastel sticks. Sometimes I want a fine point to draw a line say for around the fine lines of the face. Trying to locate the corner of a thick stick of pastel is haphazard and I don't get enough control over where it is going on the paper.

I am going to read up about these issues for solutions, but I am thinking I may start oil painting soon.

Anita Portrait

I am going to leave this one now and start something else.
The scale of the drawing is such that the detail in hands and face are a bit difficult with the bulky pastels. You have to sort of guess where the line is going to appear and sometimes mistakes are made. I could sharpen the pastel into a pencil-like point but it seems an awful waste of pastel!
Anyway, there are still some issues with the general drawing which I have to sort out.

Portrait in progress

Here is a portrait of Anita in progress. It is a pastel on grey coloured Canson paper. Size 24' x 19'. I have yet to put in the cusions she is sitting on that are on the table, then she won't look like she is floating.

Hands and Feet Studies

Here are a few studies of hands and feet. They are all my hands and feet that's why the hands are all left hands as my right hand is drawing. I want to do some studies of two hands together sometime and will have to ask someone else other than myself to model.

These are all graphite pencil on paper.
Either A2 or A3.

Bottles finished

That's it for the bottles. The paper I used here is wrapping paper, probably better used for multiple sketches as it doesn't have enough texture, called 'tooth' to hold the pastel. I am not entirely happy with it but I am going to start on something else now.

Weather changing

Here it is changing from one to the other. (see below)
Rangitoto island in the distance is in sunshine while we are probably about to have a torrent of rain.

Weather

This was the scene on New Years Eve. The weather here is alternating between this sort of stormy, rainy stuff to hot bright sunshine. If I can find a photo of the sunshine then I'll post it, but for the meantime you'll have to trust me.

Work in Progress

Another pastel drawing in progress. I've had a bit of trouble with this one and have changed the background a couple of times.
It is drawn on brown parcel paper (not the best quality but very cheap) and it doesn't have quite enough texture to the surface.

Jars

This one was drawn with a Rotring technical pen . It is my old pen which is about 30 years old. I used a nib size of 0.3 which is pretty thin, and I found that the ink flow struggled on this paper. Probably a smooth card would be better. The paper used here is fairly smooth but does have a fine texture to it.

Self Portrait 4

After further work mainly on the background and shirt, I may leave this now as it is.

The paper is Canson - dark green. The pastels are a small range (only 12) of Mungyo.

Size: 24" x 19"

Testing

Here is a test to the blog by email.

Self Portrait 4

Further progress on the pastel drawing, 2nd photo.

Here is a drawing in progress using pastels on coloured paper. I wanted a luminescent quality of the light pastels coming out of the dark paper so I chose dark green paper to contrast with the orange and yellows of the pastels.